The constant debate around sampling has been stirring for decades, as it was first used by DJs in New York’s late 1970s hip-hop scene. I’ve loved Daft Punk,’ and I got so much sh– from people like, ’How can you like Daft Punk? It’s sample based music!’ ” Angello says he received around 500 responses following his tweet on the topic, most with their claws out ready to attack. “I had a big discussion about this, because I tweeted, ’I’m such a big fan of Daft Punk. “People love to hate,” added DJ/producer Sebastian Ingrosso, referring to social media platforms that give people a chance to criticize publicly, and sometimes anonymously. At the peak of the controversy, godfather of dance music Tiësto tweeted, “Knas went off last night! Without U no one would have known that loop and U added a lot to it! Don’t bother abt those nerds )”. Most dance artists actually use these types of production techniques, and some of the biggest names in the scene have come forward to defend sample use as well to reinforce Angello’s musical capacity. If I sample a string and everyone in the world has that string, ’Why did you use that string?’ Well, it’s a good string!”. “When you use a sample library that people can get a hold of, they recognize sounds,” Angello explains, “and people will say, ’Why did you use a sample?’ And I’m like, ’But every single synth in the world is a sample. MTV News recently caught up with Angello and asked for his take on the subject of sampling. 4.Ĭonversely, many would ask, if these are tools meant to ultimately fashion musical masterpieces, then why the public outcry. However, since this story broke, there has been much debate over where the line between creativity and resourcefulness lies. For around $80, any bedroom producer or superstar DJ can get their hands on these sounds and use them, royalty-free, in any way they choose, fully within the law.
2 sample pack created by renowned German producer Manuel Schleis, who has worked with Cascada, Tiësto, Moby and Axwell. The loop itself is called the “Capone Melody” and it’s part of the Vengeance Future House, Vol. com posted a blog that offered a reverse engineering tutorial highlighting the fact that Knas’ killer hook was indeed a loop taken from a widely available piece of software. One of the most recent instances was that stirred up by the release of Swedish House Mafia member Steve Angello’s monster summer house anthem “Knas,” which prompted some in the dance music community to discredit the producer’s creativity and ability.īack in early August, Beatportal. Because of this, the issue of music sampling has become an increasingly hot topic in the eyes of critics and fans alike, more often than not flanked by some sort of controversy. It’s no secret that in this day and age, much of the music we know and love is more likely to have been produced on a laptop than in a multimillion-dollar recording studio. Celebrated French filmmaker Jean-Luc Godard is famously quoted as saying “It’s not where you take things from - it’s where you take things to. Triple Future! You can't get enough of Future House? Vengeance Sound hears you! This is the chance to get hold of ultra-cool construction kits.
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